美国梦(american dream)外文翻译学位论文(3)

来源:网络收集 时间:2025-06-23 下载这篇文档 手机版
说明:文章内容仅供预览,部分内容可能不全,需要完整文档或者需要复制内容,请下载word后使用。下载word有问题请添加微信号:xuecool-com或QQ:370150219 处理(尽可能给您提供完整文档),感谢您的支持与谅解。点击这里给我发消息

all time. Singers such as Billie Holiday all the way to Janis Joplin are said to have been inspired by Bessie Smith. Another exception to the common stereotype of women at this time was piano player Lil Hardin Armstrong. She was given the piano part in her husband's big band radio performance series called Hot Five and then his next series called the Hot Seven. It was not until the 1930s and 1940s that many women jazz singers, such as Bessie Smith and Billie Holiday were recognized as successful artists in the music world. These women were persistent in striving to make their names known in the music industry and lead the way for many more women artists to come.

The “Lost Generation”

The “Lost Generation” is a term used to refer to the generation, actually a cohort that came of age during World War I. The term was popularized by Ernest Hemingway who used it as one of two contrasting epigraphs for his novel, The Sun Also Rises. In that volume Hemingway credits the phrase to Gertrude Stein, who was then his mentor and patron.

In A Moveable Feast, which was published after Hemingway and Stein were both dead and after a literary feud that lasted much of their life, Hemingway reveals that the phrase was actually originated by the garage owner who serviced Stein's car. When a young mechanic failed to repair the car in a way satisfactory to Stein, the garage owner shouted at the boy, \are all a \génération perdue.\what you all are...all of you young people who served in the war. You are a lost generation.\generation included distinguished artists such as F. Scott Fitzgerald, T. S. Eliot, John Dos Passos, Waldo Peirce, Alan Seeger, and Erich Maria Remarque.

The term originated with Gertrude Stein who, after being unimpressed by the skills of a young car mechanic, asked the garage owner where the young man had been trained. The garage owner told her that while young men were easy to train, it was those in their mid-twenties to thirties, the men who had been through World War I, whom he considered a \– une génération perdue.

The 1926 publication of Ernest Hemingway's The Sun Also Rises popularized the term, as Hemingway used it as an epigraph. The Sun Also Rises epitomized the post-war expatriate generation. However, Hemingway himself later wrote to his editor Max Perkins that the \the book\believed the characters in The Sun Also Rises may have been \

In his memoir A Moveable Feast, published after his death, he writes \tried to balance Miss Stein's quotation from the garage owner with one from Ecclesiastes.\A few lines later, recalling the risks and losses of the war, he adds: \thought of Miss Stein and Sherwood Anderson and egotism and mental laziness versus discipline and I thought 'who is calling who a lost generation?'\

Variously, the term is used for the period from the end of World War I to the beginning of the Great Depression, though in the United States it is used for the generation of young people who came of age during and shortly after World War I, alternatively known as the World War I generation. Authors William Strauss and Neil Howe, well known for their generational theory, define the Lost Generation as the cohorts born from 1883 to 1900, who came of age during World War I and the roaring twenties. In Europe, they are mostly known as “the Generation of 1914”, for the year World War I began. In France, the country in which many expatriates settled, they were sometimes called the Génération au Feu, the \

In Britain the term was originally used for those who died in the war, and often implicitly referred to upper-class casualties who were perceived to have died disproportionately, robbing the country of a future elite.Many felt \destroyed,\Wilfred Owen, composer George Butterworth and physicist Henry Moseley. In the late-2000s recession, the phrase is often used when discussing the high level of youth unemployment. In China, the \Generation\can describe the young Red Guards of the Cultural Revolution (1966–1976), or the generation after them. The Red Guards were \by the failure of the Cultural Revolution and their alienation by the zeitgeist's shift against ultra-leftism and in favor of Chinese economic reform. The label of \Generation\is also applied in China to the

generation of the very young during the Cultural Revolution, as they spent much of their early childhood learning slogans, ideology, and self-criticism instead of content knowledge

百度搜索“70edu”或“70教育网”即可找到本站免费阅读全部范文。收藏本站方便下次阅读,70教育网,提供经典综合文库美国梦(american dream)外文翻译学位论文(3)在线全文阅读。

美国梦(american dream)外文翻译学位论文(3).doc 将本文的Word文档下载到电脑,方便复制、编辑、收藏和打印 下载失败或者文档不完整,请联系客服人员解决!
本文链接:https://www.70edu.com/wenku/314986.html(转载请注明文章来源)
Copyright © 2020-2025 70教育网 版权所有
声明 :本网站尊重并保护知识产权,根据《信息网络传播权保护条例》,如果我们转载的作品侵犯了您的权利,请在一个月内通知我们,我们会及时删除。
客服QQ:370150219 邮箱:370150219@qq.com
苏ICP备16052595号-17
Top
× 游客快捷下载通道(下载后可以自由复制和排版)
单篇付费下载
限时特价:7 元/份 原价:20元
VIP包月下载
特价:29 元/月 原价:99元
低至 0.3 元/份 每月下载150
全站内容免费自由复制
VIP包月下载
特价:29 元/月 原价:99元
低至 0.3 元/份 每月下载150
全站内容免费自由复制
注:下载文档有可能“只有目录或者内容不全”等情况,请下载之前注意辨别,如果您已付费且无法下载或内容有问题,请联系我们协助你处理。
微信:xuecool-com QQ:370150219